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The Compulsion to Create: Women Writers and Their Demon Lovers, by Susan Kavaler-Adler
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The Compulsion to Create: Women Writers and Their Demon Lovers is a fascinating and informative psychological survey of women and the literature they create, especially as reflected by the lives and work of such luminaries as Charlotte Bronte, Emily Bronte, Emily Dickinson, Anais Nin, Sylvia Plath, and Edith Sitwell. The reader is treated to such issues as compulsion versus reparation, developmental mourning and creative-process reparation, creative women and the "internal father," and the "demon-lover" theme as literary myth and psychodynamic complex. A highly recommended addition to women's studies, literary studies, and psychological studies supplemental reading lists, "The Compulsion to Create" is original, revealing, insightful, challenging, at times iconoclastic, and always entertaining.
- Sales Rank: #2170799 in Books
- Published on: 2013-07-10
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .90" w x 5.98" l, 1.31 pounds
- Binding: Paperback
- 446 pages
- The Compulsion To Create: Women Writers And Their Demon Lovers is a fascinating and informative psychological survey of women and the literature they create, especially as reflected by the lives and work of such luminaries as Charlotte Bronte, Emily Bronte, Emily Dickinson, and Edith Sitwell. The reader is treated to such issues as compulsion versus reparation, mourning and creative-process reparation, creative women and the "internal father," and the "demon-lover" theme as literary myth and psychodynamic complex. A highly recommended addition to women's studies, literary studies, and psychological studies supplemental reading lists, The Compulsion To Create is original, revealing, insightful, challenging, at times iconoclastic, and always entertaining. - Midwest Book Review
- The Compulsion to Create is a superb account of distinguished female writers [Plath, Nin, the Brontes, Dickinson, and Sitwell] from a psychoanalytic object relations perspective. The artists discussed often suffered tragic fates including suicide, fatal illness, lifelong withdrawal from people, or alienation from the world. At this current time in the American psychoanalytic dialogue, there is a tendency to idealize the creative process and to discuss it only in terms of 'healthy narcissism.' While presenting a sympathetic and respectful attitude toward the creative process, Kavaler-Adler nevertheless does not idealize it and is forthright in discussing the problems the artist may encounter. - Jeffrey Seinfeld, Ph.D.
- Susan Kavaler-Adler, Ph.D., ABPP, NPsyA, D.Litt has been in private practice for 38 years as a psychologist and psychoanalyst. In addition to individual psychoanalysis and psychotherapy, she also runs various groups in creative and professional writing, clinical supervision, and in individual mourning within the therapy group. Dr. Kavaler-Adler is the founder and executive director of the Object Relations Institute for Psychotherapy and Psychoanalysis in NYC (www.orinyc.org), where she teaches, supervises, and performs training analysis. Susan Kavaler-Adler is also a prolific author, having published five books and more than 60 peer-reviewed articles and book chapters. When she is not teaching, lecturing, or writing about the topics of "developmental mourning," the "demon lover complex," and creativity, Susan - an avid Argentine tango dancer and enthusiast - can be found dancing tango with her husband, Saul Adler, as well as with some well-known tango instructors and friends.
About the Author
Dr Susan Kavaler-Adler, PhD, ABPP, NCPsyA, D.Litt is a practicing clinical psychologist and psychoanalyst for over 35 years and Supervisor of psychotherapists practicing psychotherapy, psychoanalysis, and group therapy. Dr Kavaler-Adler is the Co-Founder, Executive Director, and Senior Faculty & Training Supervisor of the Object Relations Institute for Psychotherapy and Psychoanalysis.
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0 of 1 people found the following review helpful.
Insight Soothes My Compulsion to Know
By Barbara E. Berger
Emily Dickinson: a favorite author of mine since fifth grade, when a substitute teacher exposed the class to Dickinson poetry. She said that Dickinson "became a hermit because something very personal happened to her."
Since I was eleven years old, I have been wondering what happened to Dickinson, why she isolated herself. What is so personal that a teacher would not share, even to educate the class? Maybe she was making it up, and she didn't know, herself? On and off I have consulted biographies, but never felt satisfied that I knew the secret, had the insight.
Dr. Kavaler-Adler, starting with your book, "The Compulsion to Create: Women Writers and Their Demon Lovers," you explain Dickinson's psychological and spiritual development and arrest, and how it informed her life and work. Thank you for finally solving the mystery of Dickinson for me with your keen insight, deep reasoning, and clear explanations.
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