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Explores the shift in the locus of modernity in fin-de-siecle France from technological monument to private interior. The text examines the political, economic, social, intellectual and artistic factors specific to the French fin-de-siecle that interacted in the development of art nouveau.
- Sales Rank: #1360249 in Books
- Published on: 1992-10-06
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.50" w x 6.75" l, 1.89 pounds
- Binding: Paperback
- 450 pages
From Publishers Weekly
Silverman argues that the term Art Nouveau changed meaning in the last decade of the 19th century, as French esthetics shifted away from iron-and-glass architecture and toward interior domesticity. Illustrations.
Copyright 1992 Cahners Business Information, Inc.
From Library Journal
This is a dense and closely argued study of the intellectual background of "art nouveau," a term that underwent a total change in meaning between the Paris expositions of 1889 and 1900. Silverman traces the roots of the new style by examining rococo revivalism and the renewed interest in the 18th century, also considering the complex world of hu-man psychology first explored by Freud's teacher Charcot in explicating the shift from a new art of heroic iron and glass in 1889 to an art focused on the domestic and intellectual in less than a decade. All this is cogently connected to the political realities of the Third Republic. An excellent work, especially for scholars.
- Jack Perry Brown, Art Inst. of Chicago Lib.
Copyright 1989 Reed Business Information, Inc.
From the Inside Flap
Silverman argues that the term Art Nouveau changed meaning in the last decade of the 19th century, as French esthetics shifted away from iron-and-glass architecture and toward interior domesticity. Illustrations.From Publisher's Weekly, Copyright 1992 Cahners Business Information, Inc.
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